De gebroeders van Eyck vallen van hun voetstuk.
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Sujet: De gebroeders van Eyck vallen van hun voetstuk.
De: fangten...@gmail.con (Rudyard Kipling)
Groupes: be.politics, be.history
Organisation: Aioe.org NNTP Server
Date: 27. Apr 2008, 17:45:23
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De eerste kunstschilders die olieverf gebruikten waren de gebroeders van
Eyck. Zij staan wereldwijd bekend als de uitvinders van olieverf voor
artistieke doeleinden. Varsari heeft dat uitgebreid "aangetoond"
Tenminste, dat dacht men tot hier toe.
Een team van wetenschappers uit Frankrijk, Japan en de USA die de
mogelijkheden onderzocht om de gigantische boeddhabeelden (die de taliban in
Afghanistan gedynamiteerd werden) heeft in de dieper in de dezelfde bergen
gelegen grotten en monikkencellen muurschilderingen met olieverf ontdekt die
uit de 5e of 6e eeuw dateren.
Lang voor van Eyck dus. De schilderijen zijn wellicht gemaakt door Chinese
kunstenaars die langsheen de zijderoute op weg naar het Westen waren. De
schilderstijl is dezelfde zoals in de grotten van Dunhuang in China (4e tot
14e eeuw)
Hebben de Chinezen nu echt alles uitgevonden ?
Als dit soort ontdekkingen aan dezelfde snelheid doorgaat, dan blijft er
straks niks meer overeind van al de zekerheden die ze ons in school verteld
hebben.
http://www.abc.net.au/news/stories/2008/01/26/2147150.htm
Afghan caves hold world's first oil paintings: expert
A recent handout picture, released from the Japanese National Research
Institute for Cultural Properties, shows an oil painting of a Buddhist
image, discovered in a cave in Afghanistan's Bamiyan. (AFP: Japanese
National Research Institute for Cultural Properties)
Forget Renaissance Europe. The world's first oil paintings go back nearly 14
centuries to murals in Afghanistan's Bamiyan caves, a Japanese researcher
says.
A group of Japanese, European and US scientists are collaborating to restore
damaged murals in caves in the Bamiyan Valley, famous for its two gigantic
statues of the Buddha which were destroyed by the Taliban in 2001.
In the murals, thousands of Buddhas in vermilion robes sit cross-legged,
sporting exquisitely knotted hair.
Other motifs show crouching monkeys, men facing one another or palm leaves
delicately intertwined with mythical creatures. The paintings incorporate
a mix of Indian and Chinese influences, and are most likely to be the works
of artists travelling on the Silk Road, which was the largest trade and
cultural route connecting the East and the West.
The Los Angeles-based Getty Conservation Institute analysed 53 samples
extracted from the murals. Using gas chromatography methods, the researchers
found that 19 had oil in the paint.
"Different types of oil were used on the dirt walls with such a
sophisticated technique that I felt I was looking right at a medieval board
painting dating from 14th or 15th century Italy," Ms Taniguchi said.
The discovery would reverse common perceptions about the origins of oil
paintings.
The technique is widely believed to have emerged in Europe leading into the
Renaissance, which flowered from 1400 to 1600. Italian artist and architect
Giorgio Vasari first wrote of oil painting in his book, The Lives of the
Artists, in the mid-16th century.
Art historians, however, argue that 15th-century Flemish painter Jan van
Eyck may have known of the technique because he had developed a stable
varnish, although he kept it secret until his death. "It was very
impressive to discover that such advanced methods were used in murals in
central Asia," Ms Taniguchi said.
"My European colleagues were shocked because they always believed oil
paintings were invented in Europe.
"They couldn't believe such techniques could exist in some Buddhist cave
deep in the countryside."
Painters of the Buddhist murals used organic substances - including natural
resin, plant gum, dry oil and animal protein - as a binder, which even today
is an important element in paint.
A binder keeps pigment particles together in a cohesive film and allows the
paint to resist decay.
The researchers are trying to restore the murals amid international efforts
to salvage what is left of Bamiyan.
The Taliban, ignoring global protests, dynamited the two 1,500-year-old
statues, the world's biggest representations of the Buddha, in March 2001,
branding them un-Islamic idolatry.
The regime was ousted later that year in a US-led military campaign after
the September 11 attacks on the United States.
Although oil was used in ancient Egypt, Greece and Rome, there currently
exist no examples of their use in painting. The oil was used for medicine,
cosmetics or to coat boats, Ms Taniguchi said.
Ms Taniguchi hopes the advanced techniques used to analyse the murals would
be put to use in ruins of other ancient civilisations.
Other early civilisations including those in current-day Iran, China,
Turkey, Pakistan and India may have used similar techniques as well but
their ruins have not been subject to advanced, extensive research, she said.
"In analysing old murals throughout Europe and Central Asia, I look forward
to throwing light on the roots of oil paintings," she said.
- AFP
[......]
ook in Die Welt (enkel de papier versie)
Europa Jahrhunderte voraus
In Afghanistan haben Forscher in Holen die weltweit fr¨¹heste ?lmalerei
entdeckt.
Peter Dittmar in Die Welt 26.04.2008

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